SUNDAY, NOV. 10: LAST DAY OF THE FESTIVAL I awaken early and go off for coffee at a nearby Internet Café. After writing friends who have left messages and updates, I search the web for apartment offerings in Edinburgh. Five sound ideal, so I send e-mails. With such short notice, I wonder about availabilities. Yet Mother Scotland has a magical way of taking care of us. On the positive side, who in their right mind vacations in Edinburgh this cold and rainy time of year? There should be plenty of apartments available. About noon, I meet Tara and Cheyenne in Coffee Republic. A large sign on the wall proclaims, “COFFEE. IT’S AN EYE OPENER, BRAIN ACTIVATOR, ENERGY GIVER, IDEA STIMULATOR. BE REVIVED.” By comparison to American verbiage, UK signage is often a bit convoluted. As an example, in this same shop, there is a sign that says, “SORRY, TODAY’S FRESH SOUP IS FINISHED. Tomorrow’s Soup Is Carrot & Parmesan.” To me, that sounds as if the soup isn’t just gone, but has maybe ... EXPIRED! We eat brunch at the Texas Lone Star Café. On a scale of 1 to 10, with 10 being ribs in Ft. Worth, Texas, my brunch ribs rate a 3. But I’m not complaining ... just comparing. Our waitress is from Melbourne and wants to talk. We draw Australians to us as if by magnetic attraction. They love Americans and are so outwardly full of life, you’re quickly exchanging all kinds of personal information. Suzi is traveling on a two-year visa and working in London, which allows her to quickly pay off her house down under. The money is three to one in value she says. In two years she’ll make six years money. By the time we leave the restaurant, Suzi feels like an old friend. Today, at the festival, beginning at 4 PM, we conduct a four-hour “Ultimate Past-Life Regression Workshop.” The fee of 50 ($84) seems high to me, but everything in England is high by comparison to California. To my surprise, the workshop is nearly sold out and there is no space for anyone to lay down during the altered-state sessions. The participants are highly receptive to the ideas, but too many have trouble receiving impressions. I do a talk on how to be a better receiver, but it’s difficult for many to go with the flow and trust their impressions. This is probably the biggest difference between working with a British and an American audience. During the bathroom break, Cheyenne handles the CD sales table while Tara and I are confronted by human pain. A man has contracted Parkinson’s Disease and wants me to provide guidance. A woman is under psychic attack in her home. “Using your ‘Spiritual Protection from Psychic Attack’ CD is the only way I can sleep,” she says. “Get out of the house,” I say. “I can’t. I can never get away.” “You’re here now. Don’t go back,” I say. She wants me to get involved and help. “I’m leaving London tomorrow,” I say. “There’s no one in England that can help,” she says. A woman who claims she has come all the way from Malaysia to see us, cuts into the conversation. Another woman, a transplanted Australian, says how much she is enjoying tonight’s workshop. She is full of enthusiasm and her high energy is contagious. Workshop complete, as we’re leaving the building, a shy-appearing young man gives me a very old, thin silver penny. He said he was directed by spirit to give it to me. Before I can ask him more, he disappears. The small silver coin is inside a tiny zip lock bag. When I get back to the apartment, I tell Tara about the gift. But when I take the bag from my coat pocket to show her, it’s empty. I turn the coat inside out and upside down. No penny. We end the evening at the Internet Café. Three responses have come in from apartment owners. I book what appears to be a beautiful flat in the center of the city. The living room windows look out on Edinburgh Castle. (www.aboutscotland.com/edin/rentals.html/ Address: 32 Castle Terrace) While we’re away, our friend, Richard Christian Matheson, is taking care of our dog at his house. RC has written to say all is well and Showtime cable network has accepted his “Paradise” script for an ongoing series. As writer, creator, and one of the producers, he may have to move up to Canada where the show will be filmed. I’m excited for him, but we’ll sure miss him in Malibu. What a relief to have the festival workshops complete. We’ve been traveling and, more often than not, conducting seminars/workshops since the first week of September. It’s been intense and at times stressful. I’m just realizing I don’t have to go out on stage for several months. As much as I love my work, the thought of a break from seminars makes my heart happy. I’m anxious to get back to writing. Click HERE for the continuation of Dick’s London/Edinburgh 2002 Road Diary |